This week’s comic book reviews will be a little different since I’m running out of comics to review. Instead, we’ll see what tomorrow brings and get a sneak peek into the future!
This week’s comic book reviews are for the week of 12/1/2021. The top three comics this week were “comic book reviews 10/20, 2021,” “Comics Reviews – Week of 11-25-2021” and “Comics Reviews – Week of 12-3-2020.”
This week’s comic book reviews are here! Almost everything that was published today has been read and reviewed by the team. It isn’t exhaustive, but it covers almost everything from DC and Marvel, as well as key titles from Image, Boom, IDW, Scout, Aftershock, and other publishers.
Longform individual evaluations for key topics are often complemented in part by the review blurbs included below. Batman: Fear State Omega #1, The Avengers #50, and King of Spies #1 are among the titles released this week.
In case you were wondering, our ratings are straightforward: we assign a single number out of five; that’s all! If you’d like to see our prior reviews, you can find them all here.
DC #1
#1037 of ACTION COMICS
With the battle between Superman and Mongul on Warworld, Action Comics has been working hard for months building up to this week’s Action Comics #1037 (and probably attempting to separate itself from Bendis’ awful run on the series), and finally the reward is here. The political plot with the United Planets council and the extremely questionable Durlan we met last issue, the real combat on Warworld, and a lot of characters having their butts kicked — there’s a lot to digest in this issue. It’s heavy material, and it’s a really dismal book, yet it’s intriguing, feeling like a Superman comic but still being something greater and more epic. A Martian Manhunter tale is also included in this issue, and it’s a real treat that raises a lot of concerns about the underappreciated hero. Overall, this is a thrilling and thought-provoking issue on many levels, and although the “Warworld Saga” may not be to everyone’s taste, the craftsmanship here is excellent. Nicole Drum is a writer.
4 out of 5 stars
ANNUAL #1 OF BATMAN 2021
Although Batman 2021 Annual #1 is far superior than the bulk of Tynion’s Batman work, it has many of the same flaws, particularly in that it seems more like a copy of something else than an original invention. This is particularly upsetting given that this is the last issue of Ghostmaker. Ghostmaker is one of the numerous “unique” characters Tynion introduced to his Batman run, and he’s somewhere in the middle—not as good as Miracle Molly, but not as boring and generic as Punchline or worthless as Clownhunter—so it’s interesting to learn more about him. And, in terms of tales, it’s not awful. A child Ghosthunter, like Bruce Wayne, saw a crime against his family (although a different one) that launched him on his road to violence. Taking the familiar and giving it new twists is really a very good concept. What doesn’t hold up here, though, is that the tale seems like it was thrown together after someone watched a lot of anime, fell asleep, and ended up with a less-than-ideal result. This overall atmosphere is emphasized by Ortiz’s art, which, although generally refreshing and creative, isn’t quite up to par here. The end outcome is something that is merely acceptable. Nicole Drum is a writer.
2.5 out of 5 stars
#6 of BATMAN: THE DETECTIVE
At the conclusion, Batman: The Detective promises to probe some of the troublesome notions that lie underneath Batman’s law-and-order approach; it never quite gets there, but it comes close enough for readers to gnaw on. The carceral state is questioned by references to a present criminal’s father dying in jail and another former Batman victim ending up in prison because they saved a life. However, since there are no simple solutions to that issue (or how Batman contributes to it), they are omitted in favor of a predictable, feel-good finale. Batman and his friends defeat the villains, whose reasons and acts remain a mystery, and Batman is given a lot of “cool” moments that are unlikely to be remembered once the last page is turned. The action that unites these separate moments is well-thought-out and the greatest aspect of The Detective as a whole. Kubert’s drawings brilliantly represent characters that seem as broken and cruel as their work suggests, and desperation hangs heavy in close battle moments. It’s a nice gloss on a plot that never really developed into anything serious. — Magnett, Chase
3 out of 5 stars
FEAR STATE OMEGA #1 (BATMAN)
There are some loose ends to tie up now that James Tynion IV’s run on Batman is ended and the “Fear State” storyline is apparently over. That’s what Batman: Fear State Omega #1 is about, with Batman bringing Scarecrow to justice while also providing a kind of montage to wrap up the storylines of other significant characters in the “Fear State” arc. While it’s a convenient and tidy way to wrap up Tynion’s run, one can’t help but feel as if it was all very superficial – a very slick way to shuffle characters around, clearing the board for the next creative team while also never really dealing with any of the issues presented over the course of the run. Nicole Drum is a writer.
3 out of 5 stars
ANNUAL #1 OF DETECTIVE COMICS 2021
In the newest Detective Comics Annual, Mariko Tamaki, Matthew Rosenberg, and David Lapham seek to have a serious debate about how Gotham handles its mentally sick. Batman and Nightwing, who are on opposing sides of the discussion over whether Arkham Asylum and its soon-to-be successor should concentrate on rehabilitation or imprisonment while pursuing down a shadow from Bruce Wayne’s past, are on different sides of the issue. The cartoon correctly points out the inherent brutality of a facility like Arkham, but it doesn’t propose a better alternative, other than maybe offering a real emphasis on mental health rather than a luxury jail in a gothic structure. Tamaki’s willingness to confront difficult problems in her superhero books is admirable, but I believe the basic nature of superhero comics (or at least DC’s present status quo) precludes any genuine long-term change, which is disheartening. — Hoffer, Christian
3.5 out of 5 stars
ANNIVERSARY GIANT #1 OF THE GOTHAM CITY VILLAINS
Let’s get one thing straight: this collection is worth reading just for the opening tale, which includes Danny DeVito making his DC Comics writing debut in an unexpected and smart Penguin and Catwoman narrative. However, readers will be treated (by and large) to a captivating menagerie of tales in the pages that follow. While every tale has a redeeming aspect, there are a few standouts, including the sleek and sympathetic Poison Ivy narrative “Ophiocordyceps Lamia,” the weirdly amusing Killer Moth story “The Happiest Man on Earth,” and “The Second Eye,” which takes a look inside Talia al Ghul’s background. While some of the pieces approach perilously near to being too wordy or self-absorbed, that type of energy suits many of the villains in these pages, and I can’t help but admire the Gotham City Villains Anniversary Giant for its existence. Jenna Anderson says:
4 out of 5 stars
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DC #2
SEASON ONE #3 HARDWARE
If it hasn’t already become clear, Hardware: Season One begins up just where the characters left off in their previous adventures. This narrative seems like it was pulled from the first volume of the character, with over-the-top antagonists that merely wear suits. Sure, having Cowan and Sienkiewicz on board helps, but this newest narrative seems unmistakably 1990s, for better or worse. Adam Barnhardt’s remark
3 out of 5 stars
HUMAN TARGET NO. 2
Christopher Chance gets a visit from the first member of the JLI – Ice – in Tom King and Greg Smallwood’s noir-themed Human Target. Ice is shown less as a suspect and more as the motivation for why someone else would wish to kill Lex Luthor, resulting in Chance’s death via poisoning. I loved the comic until the very final page, which has a little irritating twist that suits the character but seems very much in line with past King “twists” in which the male protagonist appears to have one more ace up their sleeve. While the comic develops at a slower pace than King’s earlier mystery comic Rorschach, it seems more serious and purposeful. Smallwood’s art is also outstanding; the bright colors (reminiscent of 1980s and early 1990s superheroes) contrasts well with the comic’s murder mystery premise. — Hoffer, Christian
4 out of 5 stars
ANNUAL #1 OF THE JOKER 2021
For me, the most exciting moment in Gotham City’s history is when the old school mafia starts to give way to “freaks” like Scarecrow, Killer Croc, and, of course, the Joker. Jim Gordon’s attempts to eradicate the criminal families are explored here by Tynion, Rosenberg, and Francavilla, who are able to represent this historical period with remarkable flair, only to unleash something much worse. While the Joker does make a few appearances here, rather than merely lurking in the background, the solo issue does a good job of building the Crime Prince of Crime we’ve come to know and how Gordon accidentally had a role in it. If you like tales like The Long Halloween, this is a great companion piece to read. Valentine, Evan
4.5 out of 5 stars
ANNUAL #1 OF THE JUSTICE LEAGUE DARK 2021
The most recent annual for DC Comics’ top supernatural superhero team introduces a number of intriguing themes, but it is hampered by the massive amount of exposition necessary to sell them. When it comes to depicting the darkest side of the DCU, Mitten’s artwork is satisfyingly dirty and imaginative, but Ram V & Watters don’t allow the monsters and action enough time to breathe. If you’ve been reading Dark from the first volume, there may be something here for you to like, but this Annual is not for newcomers to the series, so be advised. Valentine, Evan
2 out of 5 stars
INCARNATE #1 OF THE JUSTICE LEAGUE
After the baffling nature of Infinite Frontier earlier this year, Justice League Incarnate #1 refreshingly simplifies DC’s vast multiverse aspirations by focusing its focus. In an effort to reach the crack in the universe and recover a lost Barry Allen, the multiverse-spanning Justice League joins its Flash, hops to Earth-8 (an highly unsubtle spoof of Marvel), and clashes with their version of Thanos and the full-powered Darkseid. If you’ve made it this far, dig right in. Casey, Connor
4 out of 5 stars
ANNUAL #1 OF NIGHTWING 2021
As with most previous annuals, this one takes a detour from the current tale to focus on Dick Grayson and Jason Todd’s brotherly love. Taylor’s colossal script shines at presenting that narrative and creating a very personal story for fans of the Batfamily’s most beloved members. It’s not a Christmas or holiday narrative by any measure of the imagination, yet while being a dark and gritty work, it still has the warmth that comes with such stories. Adam Barnhardt’s remark
4 out of 5 stars
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DC #3
(Photo courtesy of DC Comics)
ANNUAL #1 OF ROBIN 2021
The Robin 2021 Annual serves as a supplement to the current Robin story, catching up with Damian Wayne after his return from Gotham City in Robin #6. The issue revolves on his analysis of files from his father’s database, which provides further context for Damian’s motivations as well as those of a number of other participants on the island. These “hidden origin” type behind-the-scenes looks are intriguing enough on their own, but they only work in the context of Robin, where they build or expand mysteries related to that serialized plot. Many of these pages may easily have been placed as backup features throughout the last year, but they are now offered as a collection. Flatline’s origin draws the most attention, and although it isn’t very noteworthy, it gives her more depth and clarity. Many opponents get the same treatment, with merely a single page combining a data block and a few plot panels. The Robin 2021 Annual is largely interesting because it offers readers with information that would not fit within Robin’s restricted page count. — Magnett, Chase
3.5 out of 5 stars
#8 IN THE TEEN TITANS ACADEMY
The Teen Titans Academy has reopened for the new school year, and the series hasn’t missed a beat. The return of at least one previous Titan, fresh disclosures about several of the pupils, and the canon debut of two shocking DC characters are all part of this installment’s huge changes for the series. Those plot twists would be interesting enough, but Tim Sheridan’s web weaving is endlessly engaging and well-executed in terms of stakes and slice-of-life appeal. The issue may be one of the greatest editions of Teen Titans Academy yet, thanks to Mike Norton’s charming art and terrific face expressions—which is big praise considering how the series has gone thus far. Jenna Anderson says:
5 out of 5 stars
#5 WONDER GIRL
Wonder Girl #5 shifts the spotlight back to Yara Flor, who gains immediately as a result of her choice. The first half of the book takes off just where the previous issue left off, with Yara’s characteristic banter and comedy. Plus, the more Yara and Jerry I see, the better, and although Joelle Jones isn’t writing and drawing this time, Adriana Melo’s artwork does a fantastic job of generating some of the series’ signature vibrant combat moments. While Cassie and Potira steal a few pages away from Yara, their banter is engaging and leads to some intriguing revelations about their tribe, the Amazon world, and Yara’s background, so I didn’t mind. We even get a dramatic hook for the next issue right at the conclusion, making this an excellent issue from start to finish. Matthew Aguilar (Matthew Aguilar)
4 out of 5 stars
ANNUAL #1 OF WONDER WOMAN 2021
The Wonder Woman 2021 Annual is a fascinating read. Conrad and Cloonan do a terrific job of placing Diana as both entirely herself and transformed by her experience as we move away from Diana’s time in the afterlife and set up for “Trial of the Amazons.” One of the aspects of the issue that works well is that it also depicts Diana’s struggle to reintegrate into her normal life via her relationship with Etta Candy — the two can’t seem to find time to sit down and talk. There’s also a lot of action in the book when Diana meets a strange new antagonist who gives her some surprising knowledge about her people and her country, which makes Diana nervous. Andy MacDonald’s art detracts a little from this. Overall, it’s not horrible, although the new villain Altuum’s design isn’t up to par. He seems to be a rough drawing, and Nick Filardi’s colors don’t do much to fill in the blanks. Fortunately, he’s compelling enough that you can look beyond his scruffy exterior and focus on the danger he brings to Wonder Woman. It’s a fantastic comic, but with a few flaws. Nicole Drum is a writer.
4 out of 5 stars
HISTORIA OF WONDER WOMAN: THE AMAZONS #1
Wow. Wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, DeConnick and Jimenez have finally published the first installment of their highly awaited mini-series, and it’s clear from the opening page that the wait was well worth it. The narrative for this colossal premiere harkens back to the origins of Themyscira, and how the island—and, by extension, Wonder Woman—came to be. DeConnick spins a fantastic story out of traditional mythology while still fitting it into the greater DC story, and it’s a stunning sight to see. On top of that, you have an artist like Jimenez who consistently produces his finest work. His lineart is breathtaking, and his layouts are a piece of beauty in themselves. The plot is compelling, and the artwork is stunning. Superlatives are easy to come by, but there’s no disputing that Wonder Woman Historia #1 is one of the greatest comics available this week. In fact, I’m willing to bet that this issue will be at the top of many year-end comics lists. Rightfully so, since it’s flawless sequential art—a new benchmark for the medium to strive towards. Adam Barnhardt’s remark
5 out of 5 stars
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Marvel #1
#80 of THE AMAZING SPIDER-MAN
Although The Amazing Spider-Man #80 is more of a Kraven diversion than a Kraven story, it brilliantly depicts the Hunter’s adversarial attractions. With Ben Reilly dreaming an increasingly perilous meeting with a traditional foe, this fantastic Arthur Adams cover promises precisely what is delivered. Individuals are moulded and remade by Kraven’s medications, and drops of himself flutter through the air. Artist Michael Dowling and letterer Joe Caramagna both contribute a distinct visual language to reflect Ben’s state of mind, so the connected effects never get old. By the conclusion of the issue, the emphasis has shifted back to Beyond and simmering subplots, all of which have a Bronze Age charm to it, but this issue sells itself on a brilliant reimagining of the classic Spider-Man vs. Kraven the Hunter dynamics. — Magnett, Chase
4 out of 5 stars
#50 THE AVENGERS
Multiverses, celestials, time travel, global conquerors, prehistoric Avengers, demons and Gods, and multinational adventures are all in the mix thus far in Jason Aaron’s Avengers. At least if Avengers #50 is to be believed, things are just getting warmed up, as the mega-sized issue wraps up numerous tales before setting up fresh strands for what’s to come. Some sections work and others don’t because it seems like one of those teaser montages of what’s to come, but in story form. It’ll be a bit of a rollercoaster trip, and it’ll be a lengthy one, so strap in because there’ll be a lot to cover. Matthew Aguilar (Matthew Aguilar)
2.5 out of 5 stars
#34 of CAPTAIN MARVEL
“The Last of the Marvels” hasn’t slowed down much since it began three issues ago, and Captain Marvel #34 keeps the pedal firmly on the floor. Kelly Thompson’s previous issue ended on a cliffhanger, and although we knew she’d find a way out of this situation, it’s the execution of the sequence and the solution that’s revealed that makes it all work so beautifully. It’s a brilliant progression that ends up being one of those “how has that not been done before” moments, and thanks to artist Sergio Davila and colorist Jesus Aburtov, these moments spring off the page and make Carol seem like a genuine force of nature. It was also wonderful to see Phyla-Vell get some justice, and although Carol makes a poor choice that will leave you scratching your head, it does feel believable given what has happened thus far in this arc and who she is now up against. “The Last of the Marvels” has been an exciting trip so far, and it seems to be firing on all cylinders just in time. Matthew Aguilar (Matthew Aguilar)
4 out of 5 stars
#36 DAREDEVIL
The Daredevil conclusion lays the framework for the future event series Devil’s Reign, but it doesn’t take away from the issue’s poignancy as a capstone for a great collection of character journeys. Matt Murdock’s release from jail and Wilson Fisk’s wedding occur at the same time, bringing together two men with women who have had a significant influence on them over the course of their fictitious lives and decades in comic books. These couples, taken together, indicate the degree to which each of them has been transformed by this title. Some reconciliations, such as Elektra’s gracious acceptance of Murdock’s beliefs, seem too pat—a necessity of space constraints as the series draws to a close—but each reads as earned. Daredevil #36 is mostly a character study and a memorial to this incredible run, highlighted by one particularly intense scene of violence that is rendered all the more striking by its relative stillness. Only the drab, unremarkable features in certain panels, which lack Checchetto’s allure, detract from a succession of progressively powerful moments. All of the power battles and morality plays that made Daredevil such a compelling read are still here, and their contemplation has transformed the world. — Magnett, Chase
4.5 out of 5 stars
#4 DARKHAWK
Darkhawk’s first appearance was widely linked to Spider-Man back in the day, despite the fact that he wasn’t a standard Spider-character. It’s only natural that this new Darkhawk be linked to a Spider-Man, so writer Kyle Higgins chose Miles Morales over Peter Parker to enter Darkhawk’s realm, and it turns out to be a wonderful decision. Miles and Connor have a totally different relationship than Christopher and Peter, and having someone his age to connect to in this superhuman world enables more of Connor’s personality and inner issues to emerge, making him more approachable. Due to the presence of a certain Star-Spangled Avenger, the Darkhawk side of the equation also gets a chance to shine, as artist Juanan Ramirez and colorist Erick Arciniega offer a combat scene that showcases the Darkhawk suit’s balance of flair and strength. I wasn’t convinced on their Captain America, but when it comes to sleeker outfits and fighting tactics like Spider-Man and Darkhawk, the pair excels. Darkhawk continues to strike all the right notes in its so far outstanding rebirth, and I liked this issue from start to finish. Matthew Aguilar (Matthew Aguilar)
4.5 out of 5 stars
BLACK BOLT #1: THE DARKHOLD
In a story based on its unreliable narrator, Black Bolt’s depiction of a distorted world in which his mainstream dreams are changed into nightmares emerges as a combination of gothic romance and Silver Age-style aesthetics. The central surprise is hinted at early in the book, and although it’s nothing new for superhero fans, it’s presented in a satisfying manner. Beyond the confident gradual reveals of the truth, David Cutler’s portrayals of Black Bolt’s present condition and his background in Attilan are what distinguish this great rendition. In splash panels packed with impossible machinery and royal servants, Kirby-inspired technology pervades the metropolis and its clothing. These vivid visions, which have the same attractiveness as early Fantastic Four concepts, show how dire Black Bolt’s situation is, as well as an artist who is creating a refined and promising style that is well suited to the genre. Regardless of how it fits into the wider event plan, The Darkhold: Black Bolt stresses its own horror story and succeeds on it pretty effectively. — Magnett, Chase
4 out of 5 stars
SPIDER-MAN #1: THE DEATH OF DOCTOR STRANGE
It may be difficult to create a meaningful tie-in to a huge comic book event. Death of Doctor Strange: Spider-Man #1, thankfully, is an enjoyable tie-in to the current Marvel event book. Even if you haven’t been keeping up with the main series, the title has all of the necessary material for Spider-Man fans to catch up. After the events of Amazing Spider-“Beyond” Man’s narrative arc, Jed MacKay, Marcelo Ferreira, Wayne Faucher, Andrew Crossley, and Joe Caramagna provide a fresh twist in the Spider-Man/Black Cat romance, with Ben Reilly replacing Peter Parker. While Black Cat adores Peter, she is adamantly opposed to his clone. Observing them squabble adds a sense of levity to the proceedings. I like MacKay’s subtle nods to longstanding Marvel fans (e.g., Ben Reilly and Black Cat’s previous exploits with Doctor Strange), and an appearance from another street-level hero seemed right. There’s another reason to admire Doctor Strange’s ability to enlist Spider-Man in this “Last Will and Testament” operation, which becomes clearer after we learn Ben and Felicia Hardy’s ultimate objective. Tim Adams is a writer.
3 out of 5 stars
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Marvel #2
WHITE FOX #1: THE DEATH OF DOCTOR STRANGE
This is more of an excuse to continue the storylines of recent debuts and publisher favorites White Fox and Sword Master than a direct sequel to The Death of Doctor Strange. Both superheroes appear in one-shots and other sales-boosting material on a regular basis, and the death of the Sorcerer Supreme gives a chance for them to team up. To catch new readers up, most of the issue is devoted with both characters detailing their backgrounds, abilities, and motives over action scenes. The action, on the other hand, swings from reasonably entertaining in the first half to Luciano Vecchio’s highly elegant delivery of magical adventure and fight in the second half, despite the fact that the two artists seem to be out of sync in terms of time when placed side by side. Tradd Moore’s work is characterized by clean lines and exaggerated shapes. Despite the fact that the villain is two-dimensional, the issue is chock-full of repercussions, making it a unique one-shot with stakes. Despite its limitations, it’s tough not to like The Death of Doctor Strange: White Fox #1 for its accomplishments in establishing a home for these little-known new heroes. — Magnett, Chase
3 out of 5 stars
#38 IN THE FANTASTIC FOUR
Turning the Fantastic Four’s excitement and adventure into a courtroom drama about a superhuman custody dispute really works? This show has had its ups and downs, but it has always been at its finest when focused on family relationships. With a terrific villain in the Wizard and a well-executed cameo appearance by Jennifer Walters, this court case delivers. Ridgely, Charlie
4 out of 5 stars
#26 MARAUDERS
One of my favorite aspects of Marauders is how it allows storylines and characters to breathe, allowing for the development of minute details in character arcs while also providing interesting intrigue in Mutantkind and Krakoa’s political dealings and alliances. Marauders #26 is a fantastic illustration of this, since even while it doesn’t advance the main narrative or plot, it has so many smaller but equally enjoyable moments that the total is better than the sum of its parts. The issue is organized around two scenarios, one of which is mostly a dialogue between Emma Frost, Sebastian Shaw, and Harry Leland, and the other of which is primarily a combat between Iceman and Fin Fang From. The first uncovers quick-witted conversation and promising new threads among the old Hellfire Club members, while the second just portrays Iceman as the entire force of nature he should be, and it’s incredible. If you’ve ever wanted to see Iceman own a massive dragon, artist Matteo Lolli and colorist Rain Beredo produce a scenario that’s even better than you thought. As fantastic as all of that is, I can see why some people may disregard this issue since it doesn’t advance any significant plot lines and the characters don’t seem to have progressed much from the first issue. However, if you’re ready to live in the present for a while, you’ll probably find a lot to love. Matthew Aguilar (Matthew Aguilar)
4 out of 5 stars
#6 THE MARVELS
I hope you like backstories, because that’s all issue #6 of The Marvels has in store for you. Rather of jumping between several time periods and presenting a variety of characters, this part of The Marvels takes a new approach and focuses only on one of the story’s primary antagonists, Lady Lotus. While this may seem dull, an issue like this was necessary at this time for The Marvels to help explain some of the greater conflicts we’ve seen thus far. This isn’t one of the more memorable issues in the series, but it does some much-needed heavy lifting with the wider plot, which I’m sure will be appreciated as we go. Logan Moore’s quote
3 out of 5 stars
#23 NEW MUTANTS
Both generations of teenage mutants join together to battle the Shadow King in New Mutants #23. As the newest mutants try to separate the Shadow King from its host, Amahl Farouk, Vita Ayala approaches the battle with delicacy. Ayala’s dialogue is a little too scripted at times, the type of cerebral back-and-forth that makes sense in a safe environment, but it takes away some of the drama from what should be a life-or-death scenario. Rod Reis, thankfully, amps up the Bill Sienkiewicz inspiration to new degrees of surreality, which is more than enough to take the story to a gratifying, cathartic climax. Jamie Lovett’s quote
4 out of 5 stars
ECHO #2 PHOENIX SONG
The first issue of Phoenix Song: Echo had a lot of promise, but issue #2 aims to transform that promise into reality, and it succeeds for the most part. Echo’s new ally and the entity seeking her are given some much-needed context by writer Rebecca Roanhorse, but Roanhorse never forgets to give Echo her due. She’s a force to be reckoned with, and her constancy demands your attention in both times of badassery and tragedies, the latter of which has a big effect. Throughout the issue, the different styles of Luca Maresca, Kyle Charles, Carlos Lopez, and Bryan Valenza are used to great effect, particularly when things blast to the past, and it seems that this component of the book will only grow as the series progresses. At the present, the villain is probably the least engaging component of the series, but they do manage to generate some suspenseful and even terrifying moments in this chapter, so perhaps they can live up to the book’s promise as we go. However, there’s a lot to appreciate here right now, and issue #3 may be the one that kicks this series into high gear. Matthew Aguilar (Matthew Aguilar)
3.5 out of 5 stars
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Marvel #3
(Photo courtesy of Marvel Comics)
#18 of STAR WARS: BOUNTY HUNTERS
Valance has been rebuilt stronger than ever after a confrontation with Vader, if only to be utilized by the Sith Lord as a personal assassin to filter out members of the Crimson Dawn. Bounty hunters like as Bossk and Zuckuss are striving to make a living without Valance, which only results in them accidentally provoking additional disputes. Boutny Hunters finds itself at an excellent reset position, owing to Valance’s induction into the Empire and an almost-complete physical improvement, pounding home the sense that we’re going on a new trip, as hinted in the last issue of this series. The fact that Valance is on a single mission while the rest of the bounty hunters are reunited makes this voyage feel more thrilling, as compared to past storylines that included too complicated, intertwined plots that made it impossible to maintain a consistent tone and narrative drive. Bounty Hunters could really become a novel worth reading, thanks to the promise of this idea and improved narrative consistency. Cavanaugh, Patrick
4 out of 5 stars
DARTH VADER #18 STAR WARS
Darth Vader seeks to assemble a gang of assassins to discover all usurpers and put a stop to the organization forever after losing Han Solo imprisoned in carbonite due to the Crimson Dawn, and understanding how deeply the organization has permeated the Empire. However, the issue’s last pages show that, while Vader looks for Crimson Dawn, an unexpected character from his past is also looking for him, despite the fact that no one wants to encounter the Sith Lord. While the book is named “Darth Vader,” and the villain does play a major role in the broader plot, this book mostly concentrates on introducing a number of new characters, despite the fact that fans are unsure how much of this information will be relevant in the future. Even while the book wouldn’t spend so much time introducing these individuals if the exposition wasn’t required, it still seems a touch unsatisfying for a Darth Vader novel to begin a new story arc with so little time spent with the main figure. Fortunately, the tease in the final few pages does provide some excitement and possible twists for Vader, so things are tied up in a more attractive manner, perhaps allowing the future adventure to get straight into the action. Cavanaugh, Patrick
3 out of 5 stars
VENOM #2
The sequel to the all-new Venom book continues to what worked in the first few issues, while writer Ram V makes a detour into villain plotting area, which takes up a lot of space. Bryan Hitch’s artwork shines when he gets to make the symbiotes really accomplish anything; otherwise, the dialogue-heavy sequences and pages dedicated to tactical units appear tame. Andrew Currie, the inker, performs a fantastic job, elevating Hitch’s already excellent pencil work. Venom seems to be on his way to a new future where he isn’t reliant on Eddie Brock, but it will take some time. Spencer Perry’s quote
3.5 out of 5 stars
SISTERS OF BATTLE #4 (WARHAMMER 40,000)
The inclusion of a corrupted Inquisitor bound kicking to this elite team in the penultimate issue of Sisters of Battle offers a true complication to this paint-by-numbers storyline. This also clarifies goals that were hazy in previous issues. Even though caring for any of the characters in this genre is a loser’s game, the stark disparities between failure and achievement give readers something to spend their time in. However, the action scenes are uninventive and crudely portrayed, thus it doesn’t contribute much to the series’ sense of flair. With just one issue left, Sisters of Battle has regained its footing and may maybe produce an enjoyable overall plot. — Magnett, Chase
3 out of 5 stars
WINTER GUARD NUMBER 4
Winter Guard #4 concludes the story in a climactic way that I had hoped for after a dialogue-heavy third issue. In this issue, almost every character that has appeared in Winter Guard gets their own spotlight, which has been missing since the first chapter. Aside from these moments, the greater story that this series was weaving simply evaporates at the end. The middle chapters of Winter Guard were simply a little too complicated for their own benefit. Despite this, it ends on a higher tone to bring the song to a finish. Logan Moore’s quote
3.5 out of 5 stars
X-MEN: THE MAGNETO TRIAL #4
The title X-Men: The Trial of Magneto is becoming more misleading. There has been no trial so yet, and Magneto is scarcely featured in this issue. Its actual goal seems to be to restore Scarlet Witch to a straightforwardly heroic status quo, a kind of continuity triage on a figure who has recently become a folkloric boogeyman in mutant society. As a result, the storyline is a nonsensical mix of ideas that essentially boils down to Wanda wishing away all of her baggage. Wanda bounces between being an Elizabeth Olsen doppelganger and something more generic, while the art is another distraction contributing to the turmoil, with two distinct pencilers. One of the messiest endeavors to emerge from the Krakoan period of the X-Men. Jamie Lovett’s quote
1 out of 5 stars
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#1 Other Publishers
#32 of BUFFY THE VAMPIRE SLAYER
The dramatic conclusion of this Buffy narrative in the Spider-Verse pattern is Buffy the Vampire Slayer #32. The dialogue is enjoyable, and the artwork is attractive, but there are little emotional stakes. Things are going on, but it’s unclear why the reader should be concerned. Worse, in a desperate rush to get to this point, the series has fallen over itself and fails to give the marvel of the moment realized the visual space and magnificence it deserves. It seems like the writers of the series are unable to comprehend the proper pace in order to give any of the plot beats in this comic the necessary weight. Jamie Lovett’s quote
2 out of 5 stars
THE DRAGON INCIDENT #4 CAMPISI
With its fourth and final issue, Campisi: The Dragon Incident surely comes to a close on a high note. The series never quite managed to mix the low-level criminal family plot with the fantastical components, but the final encounter was about as good as it could be. Casey, Connor
4 out of 5 stars
CHU #10
Chu’s “(She) Drunk History” narrative arc comes to a humorous climax thanks to John Layman and Dan Boultwood. It features Saffron Chu’s grand plan by combining imaginative time travel, comical graphics, and smart twists. She gives the impression of being in complete command of every scenario she finds herself in, always one step ahead of her competitors. A love triangle is also hinted at, and it seems that it will be explored more in future issues. Boultwood’s emotive painting fits wonderfully in the Chew Universe and is reminiscent of Rob Guillory’s work. The next narrative is set up in an exciting epilogue as the previous one draws to a close. Tim Adams is a writer.
4 out of 5 stars
CROSS TO BEAR CROSS TO BEAR CROSS TO BEAR CROSS
Cross to Bear doesn’t seem to know what it wants to be. The first issue was all about a shadowy organization performing nasty things and twisting strings. This issue’s setup is used to… provide another configuration? Cross to Bear #2 is a typical fridge scenario, with the female protagonist being killed off to set the story’s central character on a vengeance murdering rampage. These two issues seem to take very different approaches to the same story’s opening, but if there’s one thing they both have in common, it’s the capacity to make 24 pages feel like 42. Ridgely, Charlie
1 out of 5 stars
#3 DANCING WITH DRAGONS
The next issue of Connor and his lady love is woven by MacKinnon and Casalanguida, and it’s the epitome of a mixed bag. The art of Casalanguida works well with the tale the team is attempting to convey here, but MacKinnon’s universe and the characters inside it lack the same passion and charm that the artist’s face expressions do on a daily basis. Dancing With The Dragon has an enticing enough hook to set it apart from the competition in a comic book market awash with criminal thrillers, particularly when it comes to its characters, who just aren’t able to pull in readers to really make this fascinating. This is a series that I want to see through to the conclusion, but for the time being, it lacks a spark to set it apart from the others. Valentine, Evan
2.5 out of 5 stars
#5 DARK BLOOD
In many respects, the penultimate issue of Dark Blood seems like it’s simply the beginning of what this series has in store. In this issue, many of the bigger story points that have stayed secret in the series up to this point are revealed, however they aren’t really exciting. Dark Blood seems to be wrapping up loose ends rather than building to a dramatic finale at this stage. I’m hoping to be proved incorrect, particularly given how much I’ve liked this series so far. Logan Moore’s quote
2.5 out of 5 stars
#49 DEADLY CLASS
Wes Craig’s art steals the show, making a dialogue-heavy issue of Deadly Class appear as visually appealing as any of the recent action romps. The finale seems like one of those things that Deadly Class has done five times before, and unless it pays off in a different manner than it has before, it’s a bit disheartening that a fantastic book is headed into its final arc with a resounding “again?” Burlingame, Russ
4 out of 5 stars
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#2 Other Publishers
TRUTH DEPARTMENT #14
The Woman in Red, who has plagued the Department of Truth since the first issue, is eventually explained. The explanation is provided via a lengthy exposition with strange graphics related to real-world personalities and some type of pop culture conspiracy theory, as it is with every issue. Aside from guest artist James Parson, The Department of Truth seems to be repeating the same narrative pattern. Figuring out how to integrate bizarre pieces of Americana conspiracy fodder into the mythology of the series seems less brilliant and more of a chore at this point. — Hoffer, Christian
2 out of 5 stars
RAPTURE OF DIRTBAG #3
While it takes a large portion of this issue for Dirtbag Rapture #3 to really get going, the trip is well worth it. To some degree, I was content with Kat’s current situation, but seeing her drawn into a struggle for humanity’s destiny proved satisfying and exciting, with some ingenious twists and turns in the second half. With Kendall Goode’s emotive art and Gab Contreras’ pastel colors, Dirtbag Rapture is the perfect blend of unsettling and entertaining—and I’m still eager to see what comes next. Jenna Anderson says:
4 out of 5 stars
HOUSE ATREIDES #12 DUNE
This first prequel to Frank Herbert’s sci-fi classic, Dune: House Atreides, comes to a close. The trial of Leto Atreides, the young Duke framed by the Harkonnens for the destruction of a Tleilaxu ship aboard a Spacing Guild transport ship, is the focus of this issue. The odd and intricate arrangements of Dev Prevanik make the proceedings seem chaotic, however it’s unclear if this is deliberate or not. He adopts such outlandish arrangements on a frequent basis that the trail scene falls flat. A scene featuring soon-to-be Padishah Emperor Shaddam Corrino speaking on Leto’s behalf is an exception. Prevanik employs a diagonal line to juxtapose Shaddam and the Tleilaxu representation in a brilliant move. Shaddam’s panels grow in size in inverse proportion to the Tleilaxu, as though seeing the justice scales tilting. This layer of significance distinguishes it from Premanik’s other angular panels, which are often random. The issue does, however, conclude on a strange note, emphasizing that the series title alludes to Leto’s coming of age, as he refers to himself as House Atreides. Although the last page underlines that this is a story about Leto, the young Duke accomplishes very little in this chapter. He’s left to the whims of others, a bystander in his own tale, making the final declaration seem as empty as the majority of the story before it. Jamie Lovett’s quote
2 out of 5 stars
#1 EVIL ERNIE
Ernest Gleckman is a mild-mannered student body president candidate who also enjoys heavy metal. While Ernest believes he has a dark enough secret, a fortuitous meeting will lead him to embrace an even darker darkness, which he will have to strive even harder to keep hidden. For lack of a better phrase, this first issue of Evil Ernie is a lot of fun, not just because of its main character’s eccentricities, but also because of the tone utilized in depicting a “heavy metal rock” nightclub and its more sinister elements. One may argue that it is purposefully campy or overdone for impact, but such irony normally has to be heightened to the point where the satire becomes oppressive, and this book fails to accomplish so. Future chapters may be able to walk that line more successfully, but for now, this first issue seems like a relic from the 1950s warning readers about the dangers of rock music. Cavanaugh, Patrick
2 out of 5 stars
#34 FIREFLY
The storyline of a “huge space doorway returning to Earth” may seem out of place for a Firefly story, but writer Greg Pak extracts some true suspense from it in this issue, and artist Simona Di Gianfelice embraces it with their emotive, cartoonish style. Pak commits, and the followthrough helps provide emotional gravity to a scene between Mal and Inara that is nearly (unintentionally) laugh out loud amusing. There are lots of twists and turns, and the jokes land (mainly on Jayne). The Firefly series is now outside of the franchise’s comfort zone, yet this volume is enjoyable to read. Jamie Lovett’s quote
3 out of 5 stars
#1 KING OF SPIES
In King of Spies #1, artist Matteo Scalera has plenty of chances to show off his skills with his childish enthusiasm for fast vehicles, gunfights, and nude ladies. Individual moments and short sequences are often awe-inspiring. Roland even manages to elicit sympathy by inhabiting a dad-like shape with blood in his beard that seems endearingly miserable. Characters that die halfway through the introduction prologue are revealed as corpses several pages later, with little influence on the greater plot. The action, on the other hand, is constantly interesting and provides readers with something worthwhile to keep their attention in a cliched story that hardly considers its own concept. Beyond its aesthetic attractiveness, King of Spies has very little to offer, and this seems to be a big selling point for the Millarworld brand right now. — Magnett, Chase
2 out of 5 stars
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#3: Other Publishers
#1 MAGIC METAL MASTER
Tezzeret, the Planeswalker who debuted lately in the continuing Magic: The Gathering series, is featured in Magic: Master of Metal #1. Tezzeret, who once grudgingly served an even greater evil, is feared by the other Planeswalkers, and Master of Metal explains why. Writer Mairghread Scott portrays Tezzeret as a fully self-interested master manipulator in these three tales, one who plays the long game and would go to any length to secure his survival on a never-ending pursuit for self-realized perfection. It illustrates how many of the difficulties that plagued Ravnica in the main series were caused by Tezzeret’s design. The artwork by French Carlomagno on the issue’s framing tale is in the Boom house style (clean, expressive, Dan Mora-like), whilst the stories inside take a darker, more detailed approach. It’s a fantastic character piece that will appeal to both fans of Boom’s series and others seeking for a good place to start. Jamie Lovett’s quote
3 out of 5 stars
THE MAGIC ORDER II #2 is a sequel to THE MAGIC ORDER.
First and foremost, in The Magic Order II #2, illustrator Stuart Immonen and colorists Sunny Gho and David Curiel produce some absolutely remarkable work, continuously finding fresh yet horrific methods of communicating death, devastation, and suspense. Whether it’s depicting the pain and depression of addiction using tight spaces and a stark palette of dark blues and purples, or clocking the world in vibrant greens with death on electric lines, flying guard sharks cloaked in dark blues and shadow, or displaying the pain and depression of addiction using tight spaces and a stark palette of dark blues and purples. There is one moment in particular that I found off-putting, so when I suggest things may get a little dark, particularly for parents, I mean it. The art team then comes together for a fantastic final combat scene that is propelled by strong colors and powers, allowing the art team to present the sequence with flair and sparkle. While the issue is grim at times, Mark Millar keeps things lighthearted early on and strikes enough humorous beats to break it up. Although it still doesn’t seem like we have a full-fledged army of heroes, the villains have more than made up for it, and issue #2 keeps things going in the right way. Matthew Aguilar (Matthew Aguilar)
4 out of 5 stars
THE BRONX IS ON FIRE #1 MANIAC OF NEW YORK
The first arc of Maniac of New York didn’t do anything for me, and The Bronx Is Burning hasn’t done much to alter my view. So far, the greatest thing I can say about this follow-up series is that it seems to be going at a slower pace and, as a consequence, is performing better character work. However, most of this issue continues to have the same issues that I experienced with Maniac of New York earlier. We’ll see whether my feelings alter as the series progresses. Logan Moore’s quote
2.5 out of 5 stars
IN THE DARK #5 THE ME YOU LOVE
It’s not often that each issue of a series shines on its own as well as when seen as a whole, but that is certainly the case with The Me You Love in the Dark, particularly this fifth and final issue. While the same elements that have made the previous issues fantastic hold true here—pacing, well-constructed narrative, incredible art with a fantastic use of color and tone—what sets this issue just a notch above is how it presents abusive relationships in a way that doesn’t diminish the fantastical horror aspect of this specific story but is also gut-wrenchingly real. The true horror of this horror tale is the manipulation and abuse, and Corona’s art, together with Beaulieu’s colors, bring this to gorgeous, uncompromising life, while Young lends voice to the gaslighting and twisting that abusers often utilize in a disturbing and unnerving manner. It’s not for the faint of heart, nor is it for those who could find themselves mirrored in it, but it does strike a chord that will make the narrative and its teachings difficult to forget. In the greatest possible manner, this is a magnificent book. Nicole Drum is a writer.
5 out of 5 stars
#22 ONCE AND FOREVER
It’s no secret that I LOVE Once & Future, and issue #22 is no exception, however its cast holds it back a little. I don’t mean the characters themselves; Gran, Duncan, Rose, Merlin, and the rest of them are as charming and spooky as ever. The size of that cast, which has gradually grown to include the villainous Arthur and his forces, the one claiming to be the true Arthur and his forces, the government’s various forces, the people our lovely trio is protecting, and, of course, the actual trio of Gran, Duncan, and Rose, is what I’m referring to. It may be tough to keep all of those different characters and new mythical entities straight and who they are allied with when they start to cross over with one another, and this issue suffers from that difficulty. Writers Kieron Gillen, Dan Mora, Tamra Bonvillain, and Ed Dukeshire continually hold your interest with stunning chase scenes that seem larger-than-life, and Gran’s navigating this dangerous world is as charming and humorous as ever. The only thing holding it back is the sheer amount of people in the mix, as well as the somewhat crowded sensation that having a large cast going in and out creates. That’s a minor quibble, and there’s considerably more to like here than not, so Once & Future is an easy recommendation once again. Matthew Aguilar (Matthew Aguilar)
4 out of 5 stars
HOLIDAY SPECIAL #1 RED SONJA 2021
This special serves as a kind of intermission to Mirka Andolfo, Luca Blengino, and company’s current Red Sonja run, with two tales featuring the red-headed warrior. While these tales aren’t overtly festive—with the exception of “Sonja’s Carol,” which is a violent retelling of a certain Charles Dickens classic—they do prove to be fascinating extensions of Sonja’s universe. The issue only serves to demonstrate how Andolfo and Blengino have a fascinating yet nuanced perspective on Sonja, which the dynamic art from Carmelo Zagaria and Zulema Scotto Lavina well complements. This isn’t a must-have Red Sonja issue, but it’ll provide just enough Christmas pleasure. Jenna Anderson says:
3.5 out of 5 stars
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#4 Other Publishers
(Image courtesy of Image Comics)
#31 REDNECK
The first issue of Redneck’s last arc reads almost like a series epilogue, leaping ahead in time and skipping right through the Great War. However, it is successful in setting up the future and aftermath for this family, as well as how tragedies may lead to happy endings. There’s still a lot to happen in these last five issues, but knowing where it all goes makes it even more thrilling. Ridgely, Charlie
4 out of 5 stars
SEARCHING FOR HU NO. 3
Search for Hu is a tale trapped in a strange narrative cycle that it has created for itself. The dramatic finale of the last issue is averted here, with the opposing family merely declaring, “We didn’t do it,” and our protagonist having no answer. He doesn’t ask any questions. He had no doubt that his family was assaulted by someone other than the Hu. He moves on to the next escalation of violence. Yes, to the extent that a wayward veteran with nothing to call him back home finds this life of battle seductive and easy to fall into, but there’s no tension in the act here. There’s a passing reference to Aaron’s unfinished business, but no effort is made to portray the character’s interiority. When you add in some uncomfortable emoting in this issue’s artwork, Search for Hu starts to seem like it’s lost its way. Jamie Lovett’s quote
2 out of 5 stars
ACHERON #1, SIR EDWARD GREY
Mike Mignola’s long-awaited comeback as a writer/artist returns him to Hell, one of his favorite locations to tell stories. Mignola is bringing up innumerable strands from his whole Hellboy/BPRD tales with Acheron, offering an epilogue that demonstrates there is still life in a planet that seemed to be over. The tiniest of flaws occurs when the series abruptly shifts into the following wave of tales, not holding the reader’s hand but instead throwing them into the deep end. It’s an intriguing proposition that will most certainly be lucrative in the end, but it’s a significant change right now. Spencer Perry’s quote
4.5 out of 5 stars
#324 SPAWN
In the current Spawn, writer Rory McConville takes over from Todd, and the only change is that the writing isn’t as childish as before; it’s still as long and wordy as before. Carlo Barberi, who has always been a highlight of any recent issue of the book, seems to be stuck in a rut, as his work and that of colorist Jay David Ramos appear to conflict. There’s nothing wrong with how one of them works visually, but they approach the subject in two distinct ways: Barberi prefers the somber side, while Ramos prefers to emphasize the pop parts. Spencer Perry’s quote
2.5 out of 5 stars
#123 TEENAGE MUTANT NINJA TURTLES
Down Teenage Mutant Ninja Turtles #123, writer Sophie Campbell zooms in on Leonard, the Splinter Clan’s leader, from the community-wide politics of Mutant Town. Leonardo has realized that his devotion to his family and allegiance to Splinter has left him with no outside support network in the aftermath of his father’s death, while his brothers have found other organizations to join and connections to build. As a result of this understanding, he embarks on a personal trip into the night, reuniting with old acquaintances and maybe creating new ones. Jodi Nishijima demonstrates her expertise and flexibility in her last issue on the series, providing crisp panels and cartooning for action sequences, emotional beats, and times when memories loom big. It’s a fantastic, quiet, character-driven issue that will thrill all TMNT fans, particularly Leo fans. Jamie Lovett’s quote
4 out of 5 stars
#1 WHITE ASH
White Ash debuts with a stunning first issue that blends fantasy and actual crime in seamless fashion. Readers are introduced to star-crossed lovers who are attempting to locate a sinister coven after a human community discovers some of its own gone. This first issue does a great job of fleshing out its fantasy characters while also timing exposition with some simple dialogue. From the opening to the final page, each page reveals fresh information that will keep readers interested, and a cliffhanger of epic proportions demonstrates White Ash is set to keep readers enthralled for many issues to come. Megan Peters is a writer.
5 out of 5 stars
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